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Post-impressionism (ang) / Belinda Thompson

Public ISBD Aucun avis sur cette notice. Titre : Post-impressionism (ang) Auteurs : Belinda Thompson, Auteur Editeur : Londres [Royaume-Uni] : Tate Gallery Publishing, 1998 Importance : 78 p; 24 x 17 cm Langues : Anglais (eng)   Résumé : Hard on the heels of the Impressionists came artists with a different agenda. Dissatisfied with the essentially short-term effects Impressionism had mastered, they strove in their different ways for an art of a more permanent, structured and expressive kind. By refining and codifying, or dismantling and reassembling the procedures of Impressionnism, artists and codifying, or dismantling and reassembling the procedures of Impressionism, artists such as Seurat, Cézanne, Gauguin and van Gogh and their associates rewrote the rules for representational painting at the turn of the twentieth century. The arbitrary colour, exaggerated forms and abstraction of their works marked a new distance between artist and nature and prepared the public for the freedoms of the next generation of innovators. In this study Belinda Thomson introduces the artists responsible for these important and influential stylistic changes and sets them in their intellectual and historical contexts. Catégories : Peinture Mots-clés : art history  post-impressionnism Index. décimale : 759.064 Expressionnisme et fauvisme Genre : Art Permalink : http://medialibrary.afthailande.org/index.php?lvl=notice_display&id=13750 Post-impressionism (ang) [texte imprimé] / Belinda Thompson, Auteur . - Londres (Royaume-Uni) : Tate Gallery Publishing, 1998 . - 78 p; 24 x 17 cm. Langues : Anglais (eng)   Résumé : Hard on the heels of the Impressionists came artists with a different agenda. Dissatisfied with the essentially short-term effects Impressionism had mastered, they strove in their different ways for an art of a more permanent, structured and expressive kind. By refining and codifying, or dismantling and reassembling the procedures of Impressionnism, artists and codifying, or dismantling and reassembling the procedures of Impressionism, artists such as Seurat, Cézanne, Gauguin and van Gogh and their associates rewrote the rules for representational painting at the turn of the twentieth century. The arbitrary colour, exaggerated forms and abstraction of their works marked a new distance between artist and nature and prepared the public for the freedoms of the next generation of innovators. In this study Belinda Thomson introduces the artists responsible for these important and influential stylistic changes and sets them in their intellectual and historical contexts. Catégories : Peinture Mots-clés : art history  post-impressionnism Index. décimale : 759.064 Expressionnisme et fauvisme Genre : Art Permalink : http://medialibrary.afthailande.org/index.php?lvl=notice_display&id=13750

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
0156591012	E 759.064 THO	Livre	Fonds principal	Mode & arts	Disponible

Cubism (ang) / David Cottington

Public ISBD Aucun avis sur cette notice. Titre : Cubism (ang) Auteurs : David Cottington, Auteur Editeur : Londres [Royaume-Uni] : Tate Gallery Publishing, 1998 Importance : 80 p; 24 x 17 cm Langues : Anglais (eng)   Résumé : Cubism, perhaps the seminal art movement of the twentieth century, is also one of the most complex. It was the product of the decade before the outbreak of war in 1914. France, during this period, was torn by intercity class and international tensions, caught between excitement over the experience of modernity and anxiety about its consequences. Analyzing paintings by Picasso, Braque, Robert and Sonia Delaunay and their associates, David Cottington describes how the artistic avant-garde, and Cubism within it, were formed by that turbulent and complex moment. Catégories : Peinture Mots-clés : cubism  modern art Index. décimale : 759.063 Cubisme et futurisme Genre : Art Permalink : http://medialibrary.afthailande.org/index.php?lvl=notice_display&id=13751 Cubism (ang) [texte imprimé] / David Cottington, Auteur . - Londres (Royaume-Uni) : Tate Gallery Publishing, 1998 . - 80 p; 24 x 17 cm. Langues : Anglais (eng)   Résumé : Cubism, perhaps the seminal art movement of the twentieth century, is also one of the most complex. It was the product of the decade before the outbreak of war in 1914. France, during this period, was torn by intercity class and international tensions, caught between excitement over the experience of modernity and anxiety about its consequences. Analyzing paintings by Picasso, Braque, Robert and Sonia Delaunay and their associates, David Cottington describes how the artistic avant-garde, and Cubism within it, were formed by that turbulent and complex moment. Catégories : Peinture Mots-clés : cubism  modern art Index. décimale : 759.063 Cubisme et futurisme Genre : Art Permalink : http://medialibrary.afthailande.org/index.php?lvl=notice_display&id=13751

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
0156211012	E 759.063 COT	Livre	Fonds principal	Mode & arts	Disponible